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British Design 1948-2012

  • Apr. 10th, 2012 at 9:08 PM
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During the Easter weekend, apart from finally getting enough sleep, I went to the British Design 1948-2012 exhibition, which currently runs, surprise-surprise, in V&A, of course. It was one of those exhibitions that makes you feel like you're travelling through time. It showed the evolution of design in all spheres, so it included everything from book covers and illustrations to furniture to planes. As you go along the rooms and kinda flow from one decade into another you see an evolution of thought: what you see iis not just blocks of changes stacked together, it is a portrait of evolution of design, you see how things changed, how they were renewed and what shaped them (historic events, social opinions/philosophy of the time, scientific progress), you see it all flow and develop, and this is amazing!

The thing that struck me most was a small corner/exhibition on development of traffic signs and transport system branding - this was marketing textbook followed with full commitment - they thought of everything: developed their own letter style and logo and colour coding system that stretched from colour of trains themselves to the colour of uniforms and menu cards in the restaurant coaches!! Everything seemed so... thought-through, the tiny details crafted with love... in every little bit of it!!! It was again that feeling which often dawns on me when I go to V&A - the feeling that man-made things which seem so ordinary to us, have actually been created by people whose names we might never know, but who tried hard to make sure every detail of the system or just one element they are creating look and feel and work fine, that people spent hours, days of their time, thinking, dreaming these things up, that it might have made their lives more interesting, their work more exciting, creation of this something might have made them happy and satisfied and now I look at it, notice those traces of love and dedication that went into creation of this something, and it makes me smile... So yes, it was that feeling but magnified like it has been very rarely before... May be I am imagining all this, or may be it was the very point of this exhibition, but it really impressed me...)))

Another great thing about the exhibition were actually the people who came to see it, I wish someone could record their conversations to keep them there as part of the exhibition! There was an old lady in a wheelchair who excitedly was telling her companion how she used to live in a commune, and there were a couple of 35-year olds going all jumpy because they both found pieces of cutlery and crockery like those their families owned many years ago, and a woman who stood by a light cotton dress and was telling her daughter about her youth...

All in all, it was just great to be there, really great, so I would recommend it to anyone willing to travel through time... :)

Maslenitsa in London: how it should've been

  • Mar. 1st, 2012 at 10:21 PM
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Last weekend I finally saw how Maslenitsa is celebrated in London, it actually is an annual event here but to date I have never managed to see it, so I finally decided to fill in this gap in my view of the London events. Like many other ethnic holiday celebrations it was held on the Trafalgar Square...

Here I should probably make a brief comment for those who are not sure what Maslenitsa actually is. Basically, this is a Russian carnival, a festival to celebrate the coming of spring, a week during which pancakes (which symbolise the Sun) are eaten in quite huge quantities with all types of fillings and just on their own. This is Shrove Tuesday stretched out for a week, and after this week the 40-day long Lent starts. On Sunday, the last day of the Maslenitsa week and the highlight of the celebrations a straw doll representing winter is traditionally burned. All in all, this is one of those wonderful occasions when pagan and Christian tradition are mixed and happily co-exist. I personally really like this period for its joyful spirit and pancakes, even though being someone who actually loves proper snowy winters I find it unfair that no other season is pushed away with such ferocity...

Upon arriving on the square I found it filled with a fairly gruesome crowd, which could be roughly separated into two groups - those who spoke Russian and knew what the holiday was about looking half-bored half-embarrassed by the stalls with traditional matruoshka dolls, and those who did not speak Russian and thus left to wonder what the concert host was going on about... London boasts a population of 7 million and a good number of tourists, so filling up a square was not that hard, but frankly speaking after walking around for 20 minutes, there was only one conclusion you would arrive no matter where you came from and what your language skills are - the event was boring. Even the fact that towards the end of it Chaif, a rather popular Russian Rock band would perform, could not make me stay there, waiting for 2-3 hours just didn't seem worth it! So I disappeared into the National Gallery instead...But the thoughts of how wonderfully this event could be organised keep haunting me, so I decided to note them down here and probably send them on to organisers as feedback and suggestions for the future.

So, how I would've done it...
1. Location - take the spot nearby the Southbank centre instead of the Trafalgar square, that would allow much more flexibility as you could have a concert, some outdoor games and also indoor activities all located nearby. Taking into account late February-early March weather is tricky to predict, such variety of spots would've allowed people to stay warm and enjoy the celebrations longer. Also, I suspect that burning a straw doll in that field by the London Eye might be feasible, while in Trafalgar square no mayor in their right mind would allow you to do that. And yes, Maslenitsa celebrations without burning the doll loose half its charm!

2. Programme - prepare a varied programme of indoor and outdoor activities
One of the main reasons, why the last weekend event was so tremendously boring is that there was nothing, literally nothing to do there, and one 'Children's Activities' stall was not near enough to accommodate for the number of kids, so people just gave up on it right away. While if you think of it there are plenty of things one could do there!

Outdoors:
- Folk dancing - arrange mass workshops of traditional Russian dance to folk music. Those 10 moves every Russian learns in kindergarten and never really manages to forget would be fun to do, both for those who know them but have not done anything like that for may be 20 years and those who have never tried anything like that! As a result, both parts of the target audience of our event are entertained and kept warm! And for some it would even be a small discovery trip into a different culture!
- Rope games and other traditional games - again, here the participants can compete in teams or on their own, and it would be fun for both children and adults
- Concert - the concert as such is a good idea, so there's no need to abandon it, though the list of participants might be expanded

Indoors:
- Painting in all the different traditional styles. I fact, it is very easy, but still it is important for someone to point out the different techniques and let the people play around with it
- Story telling - Russian fairy tales are little known and are actually a great way to learn more about the culture, just as any fairy tales are
- Pancake workshop - potentially getting one or two Russian cuisine restaurants do some activity to find new clients would be a good idea

And more ideas for businesses - all the different kinds of these - from food stalls to arts, crafts and fashion designers could be invited (which would be useful for raising funds for the event!)

3. Cooperation - Liaise with museums and may be businesses to turn the event into a showcase of the Russian culture. In fact, there are so many bits and pieces one could do in cooperating with other museums, that I am not going to list these here. Starting with the British Museum, the V&A and the National Portrait Gallery and ending with the National Maritime Museum - there are really, really plenty of things one could do.

Well, let's hope it will be more fun in a year :)

Return

  • Feb. 11th, 2012 at 9:34 PM
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I think this is the third such note I leave here, promising my final return to this page (let's hope this time I keep posting here a little bit longer). Though I regularly read selected blogs here I could never quite bring myself to writing, but well, I guess I might give it another go.

Quite a few things changed since I last made an entry here, with the major positive change being me getting a better job (this happened quite a while ago but then the latest entries were also made quite some time ago and still tell about my time in the Mad House). Luckily, this fact does not mean that there are not enough things to notice and think about around me, on the contrary, their number is growing and they are getting more and more interesting. I can see things changing, and my attitudes to professional relationships changing as well, with me learning to act in a more diplomatic way (and it took me a while to understand that this includes not just being tactful and striving for peace). So that is the brief update on the current status of things...

What I actually wanted to write here is a little note about product placement in movies and series. As I happily watch BBC Sherlock fandom gaining strength and blossoming beautifully all around, I can't help realising that this series, apart from being brilliant as such, are a great example of proper product placement. Surely the fact that it is placed in the modern time and in actual reality helps as it allows it include already existing things into the movie. Another helpful thing is that its target audience includes quite a wide age group, mainly consisting of adults, which means that the purchasing power is there. So with the good use of stylists and decorators you get a set which appears completely fascinating for the audience and each element of which can be found in the real world (thus allowing recreating the image on the screen in real life without having to purpose-manufacture things). The rest is done by the dedicated fans who track down where each piece of the favourite universe came from and create a detailed catalogue with links, prices and excited comments. The products are thus advertised throughout the fan community and spread around even wider as the series becomes more and more popular. Now there all that's left for the producers is to make sure things are available in stock (or will be available in stock, as in the case with the famous Sherlock's coat) and, importantly, not to spoil the hunt for the fans by boasting too much about their products being used in Sherlock series - no fan would like their love being publicly exploited.

And this is exactly how it is done in Sherlock. In fact, it was all executed with such elegance and skill that I believe it should be used as a case study in marketing classes. Now, aren't BBC producers adorable? :)

Sell, sell, sell...

  • May. 14th, 2010 at 7:10 PM
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There is one thing worse then an ignorant and unwilling salesperson - the salesperson who jumps on you and starts pushing you so hard you want to defend yourself with whatever your hand can grab. They go on you as a falcon would go on a mouse, once they spot you they feel no mercy.

Some people believe this works. And it does, sometimes. But what I wonder about is if the consumers actually fall prey to their fierce persuasion (as the salespeople might think), or simply duck out of this immense pressure by buying something for the sake of their life and sanity. In fact, you could see such hard selling as a certain type of bullying, though standing up for yourself and telling the salesperson in their face to shut up and leave you in peace would not be something everyone can do. At the end we all understand that this is just their job, many companies make them do this.

But people selling the ideas in this way are even scarier then the shop assistants which jump on you as soon as you enter the shop. As soon as they start to talk all glowing with the fake enthusiasm, you know something is wrong. You suddenly feel miserable and the sheer fact that you get in a situation like this, makes you depressed. Or is it just sceptical me who gets sick of fast-moving, fake-smiling, over-enthusiastic people?

Whether others share my viewpoint or not, I can tell for sure that never ever will I buy something from a hard-selling salesperson. Even if I need the product. I'd rather go somewhere else and do it on my own will, rather then endorse these violent predators and the companies who send them hunt.

We don't mean it!

  • Jan. 11th, 2010 at 11:21 PM
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Today I realised that I turned out to be in a curious situation. Throughout recent years I was getting insights on how designers see the marketing department (and I have to say it's not a particularly positive picture), and kept thinking that the problem is in the fact that their marketing department is largely imperfect and probably either not trying hard enough or not professional enough.

Today I saw the problem from some other side - I was that marketing person making the designer slightly dizzy and tired (at leaset, felt like one). And this was not intentional, I can assure you. The problem itself is very simple: designers have been trained for 4 or 5 years in their professional field, they know peculiarities of their trade and certain things surely seem obvious to them. But for marketers it takes time to get the process, the requirements and finally learn to speak the same language the designers speak. We really do not annoy you on purpose (at least I do not!).

Hopefully, I'm not such a desperate case, will catch our creative tomorrow and make him train me. No rabbit-killing/torturing any more! :)


About Ethics

  • Sep. 20th, 2009 at 4:19 PM
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It always seemed to me that ethics is a ridicculously fashionable and equally redicculously useless and fake thing. Take these 'equality monitoring' forms you have to fill in while applying for any job - are they ethical? If the employer does not care about your gender, nationality and hair colour then why on Earth does he want to know how many people with a certain set of traits they have? Where is the guarantee there will be no discrimination on that, depenending on how 'diverse' the employer would like its workforce to be?.. If it makes sense to you, please, explain me this logic cause to me it seems a complete and absolute noncense, which everyone seems to follow and even somehow enforce by law.

But that was not what I was gonna write this post about. I was more wondering about some different dimension of ethics, which is probably not the very first one you'd think about. So my question is, is it ethical not to be loyal to the company you're working at? It is somehow implied that working in a company makes you automatically loyal to it. Which is surely logical as if you spend your days trying to achieve some results and "put your straw to the common anthill" you somehow start associating yourself with it. But what to do if you feel obliged to do your work well and try as hard as you can but have a clear feeling of disgust towards the company working style, towards people (very useful and effective) you sometimes deal with and even towards your own actions sometimes? If that is a cognitive dissonance (which, I guess, formally isn't), that is probably one of it's most unhappy forms: you feel guilty for not being loyal to the company you work for.

I am not sure whether this is my social type, the cultural difference between me and my colleagues or simply the way I am motivated, or (most probably) a combination of those, but it's definitely a riddle I have to solve for myself, so that internally I get at least a little closer to that "good girl!" feeling...

Any ideas? And yes, I know, there are lots of the loyalty-productivity studies but they somehow do not solve the problem on this personal level.

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Mail

  • Jul. 10th, 2009 at 6:02 PM
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Indinan princesses kidnapped in early childhood, long-lost relatives from various parts of Afrika and now barrister Lee Elaine Chin from Malaysia for some reason writing from xavier.dennis@hotmail.com, all with 'interesting busness proposals". I even answer them sometimes, just out of boredom and must say their fantasy is truly unlimited. When they finally realise there's no point of writing such e-mails I'll probably even miss them))

Start-2

  • Jul. 9th, 2009 at 10:13 PM
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Right, I have been thinking of starting to write in English for quite some time now and once this account already exhists for quite a while creating a separate blog for such purposes does not make much sence. Most probably, the posts here will be more marketing-related or contain some piece of reflection which will not fit anywhere else but here.

Frankly speaking, at this very moment I've got a very vague idea of formatting what I write and absolutely no desire to plunge into technical details right now  but this might improve in future. Anyway, I welcome myself in here (how pathetic!) and hope this first entry won't become the last one as well. 

Tulips for a start

  • Mar. 8th, 2006 at 11:02 PM
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